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:: 2020 3 February :: 12.32 pm

We get it, Iowa. Your caucus, like ... SO big.

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:: 2020 2 January :: 1.12 pm

Recorded on 12.31.19
POD 22

In which I am joined by Katie <3
We dissect the annual Christmas gauntlet to which she was subjected.

Links to stuff we mentioned:

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:: 2019 7 October :: 4.42 pm

Recorded on 9.20.19
POD 21

In which I am all alone

Links to stuff I mentioned:

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:: 2019 25 July :: 11.27 am

Recorded on 7.21.19

In which I am joined by Trevor, who wields an axe with superior majesty, and has the hair to match.


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:: 2019 15 July :: 2.45 pm

recorded on 7.10.19
POD 20

In which I am joined by Nick and Sam. Nick wrote the songs. Sam is an open mic legend here in Grand Rapids.

We were rehearsing for a gig at Mulligans Pub; an establishment whose threshold I had not darkened in nearly a decade. It hasn't changed at all.

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:: 2019 10 July :: 10.25 am

Recorded on 7.5.19
POD 19

In which I am joined by Eliot. He wants to start a 90s cover band, but neither of us sing. The set list is epic ... if we can ever learn all the songs. Or find a vocalist.

Links to stuff we mentioned:

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:: 2019 5 July :: 11.30 pm

POD 18.2

In which I am joined by Doyel and Jaclyn. They JUST GOT ENGAGED! Also, Jaclyn and I are nerds, but Doyel doesn't care.

Links to stuff we mentioned:

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:: 2019 26 June :: 6.13 pm
:: Music: (part 1 of 2)

Recorded on 6.24.19

POD 18.1

In which I am joined by Doyel and Jaclyn. They are rad, and fun, and you should probably just be friends with them already.

Links to stuff we mentioned:


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:: 2019 24 May :: 11.15 am

Recorded on 5.22.19
POD 17

In which I am serenaded by Alec.

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:: 2019 18 May :: 1.23 pm

looks like it's time for
yet another DRUM BREAK!

I happened across an old recording of this drum pattern I'd written for basement audio lab. It was a crappy demo version consisting of me tapping on my legs and kicking the mic stand. It was virtually unlistenable, with a horrendous click track going in the background. I was surprised to find the pattern came much more naturally to me this time around, and the click was not necessary. I just wanted to make a better recording of the part for future reference. I don't know what prog rock band I'm going to join someday that will have a need for a part in 7/8 time, but you never know. When the time comes, I guess I'll have this to contribute.

Doing fills in 7 is hard. It's not a natural thing to feel when you were raised on groups of 2 and 4. Most people understand 3, I guess. Waltzes and such. Sometimes you'll hear radio stuff in 6 (which is really just 2 groups of 3, or 3 groups of 2, depending). 5 and 7 are a lot trickier, since you're mashing a 2 and a 3, or a 4 and a 3, or 2 twos and a 3 together at once. Makes it harder to find the downbeat. Actually, what I really like to do is carry it over 2 measures, then the "down" beat becomes the "up" beat for the second measure, before it turns back around again.

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