"; echo "If you think you have been banned in error please contact me."; $fp = fopen("code/data/ip_data.dat", "a"); fputs($fp, "**BANNED** Visit logged on $getdate at $gettime internet time) for IP: $getip "); fputs($fp, ""); fclose($fp); exit(); } } echo "Update in progress."; echo "
"; echo "'Authorized Visit' detected and logged on $getdate at $gettime internet time) for IP: $getip"; $fp = fopen("code/data/ip_data.dat", "a"); fputs($fp, "Authorized Visit logged on $getdate at $gettime internet time) for IP: $getip "); fputs($fp, ""); fclose($fp); ?>

 

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Hope is for Suckers

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spud

:: 2021 3 May :: 3.53pm
:: Mood: Seasonal


A staggering proportion of humans are allergic to the semen of plants.

A perennial reminder.

shape me


spud

:: 2021 29 April :: 11.03pm
:: Music: Tauk - Sir Nebula

Jet Lag

I used to have arguments with my uncle about language. I insisted that there were grammatical structures and rules in place in order to keep the meaning of language consistent. If we are to communicate and exchange ideas, it is critical to have the same words and sounds mean the same thing to both parties, in order to successfully transmit all information in the idea accurately. I thought that the rules helped to keep those meanings from shifting.

His primary contention was that language was alive, constantly evolving and changing in meaning. Different languages cherry pick words and phrases from other languages, sometimes at random, sometimes by conquest. New words are constantly being born, while old words slowly die off and are forgotten. I think he viewed slang as some kind of nursery for future linquistic possibilities.

I have to admit, he may be right.

After all, they condensed an extremely specific phenomenon - in which one traverses the surface of the planet at such an incredible rate, that their biological rhythms have difficulty adapting to the dramatic change in diurnal cycle - into just two syllables.

1 transition | shape me


spud

:: 2021 1 April :: 10.30pm
:: Music: The Great Outdoors (1988)

life goes on, man.

finished a painting gig today. gonna try to hold off on any more work until after the trip to phoenix. aside from the laundry list of chores amassed for me by past chris. occasionally he surprises me, but usually he just kicks the cans down the road for future chris to deal with. hopefully some dedicated time will help future chris in his efforts.

-----


the spirit of god is alive wherever people are helping others, and growing in understanding. in places where people are wrongly harming others, the spirit is dead. even if that place is a church. or a school. or a home.

this may sound like a bummer, but it is actually very encouraging to witness the spirit thriving in many diverse and unlikely places. don't let the trimmings fool you. look at the people. see who's helping. join them. doesn't really matter where.

<3

4 transitions | shape me


spud

:: 2021 13 March :: 8.43pm
:: Music: Breaking Bad

There's a Martian yelling, "CUT! BOOM IN THE SHOT. EVERYBODY BACK TO ONES!" but you can't hear it above the wind noise.

shape me


spud

:: 2020 19 March :: 4.00pm

COVID-19


If I get stuck at home, you can bet your sweet booty I'll be uploading lots of recordings ;)

As it stands, I still have a job, and we're staying open, so I get to continue working. But if that changes, expect to be seeing some updates <3

Stay safe out there, friends.

2 transitions | shape me


spud

:: 2020 1 March :: 8.01pm

Recorded on 2.29.20
OPEN TALK

In which I am joined by a host of promises. I gave an open talk at the alano club in Grand Rapids, and didn't really talk about booze that much.

Links to stuff I mentioned:





(Ultraclean floss is rad, btw. It is stretchy and doesn't break or tear like normal floss. Get you some ultraclean.)


shape me


spud

:: 2020 2 January :: 1.12pm

Recorded on 12.31.19
POD 22

In which I am joined by Katie <3
We dissect the annual Christmas gauntlet to which she was subjected.

Links to stuff we mentioned:









shape me


spud

:: 2019 7 October :: 4.42pm

Recorded on 9.20.19
POD 21

In which I am all alone

Links to stuff I mentioned:








3 transitions | shape me


spud

:: 2019 25 July :: 11.27am

Recorded on 7.21.19
TECHNICALLY NOT A POD

In which I am joined by Trevor, who wields an axe with superior majesty, and has the hair to match.

ALSO NOT A POD

shape me


spud

:: 2019 15 July :: 2.45pm

recorded on 7.10.19
POD 20

In which I am joined by Nick and Sam. Nick wrote the songs. Sam is an open mic legend here in Grand Rapids.

We were rehearsing for a gig at Mulligans Pub; an establishment whose threshold I had not darkened in nearly a decade. It hasn't changed at all.

shape me


spud

:: 2019 10 July :: 10.25am

Recorded on 7.5.19
POD 19

In which I am joined by Eliot. He wants to start a 90s cover band, but neither of us sing. The set list is epic ... if we can ever learn all the songs. Or find a vocalist.

Links to stuff we mentioned:







shape me


spud

:: 2019 5 July :: 11.30pm

PART 2
POD 18.2

In which I am joined by Doyel and Jaclyn. They JUST GOT ENGAGED! Also, Jaclyn and I are nerds, but Doyel doesn't care.

Links to stuff we mentioned:







shape me


spud

:: 2019 26 June :: 6.13pm
:: Music: (part 1 of 2)

Recorded on 6.24.19

POD 18.1

In which I am joined by Doyel and Jaclyn. They are rad, and fun, and you should probably just be friends with them already.

Links to stuff we mentioned:


LILLY THE KILLING MACHINE




shape me


spud

:: 2019 24 May :: 11.15am

Recorded on 5.22.19
POD 17

In which I am serenaded by Alec.

shape me


spud

:: 2019 18 May :: 1.23pm

looks like it's time for
yet another DRUM BREAK!

I happened across an old recording of this drum pattern I'd written for basement audio lab. It was a crappy demo version consisting of me tapping on my legs and kicking the mic stand. It was virtually unlistenable, with a horrendous click track going in the background. I was surprised to find the pattern came much more naturally to me this time around, and the click was not necessary. I just wanted to make a better recording of the part for future reference. I don't know what prog rock band I'm going to join someday that will have a need for a part in 7/8 time, but you never know. When the time comes, I guess I'll have this to contribute.

Doing fills in 7 is hard. It's not a natural thing to feel when you were raised on groups of 2 and 4. Most people understand 3, I guess. Waltzes and such. Sometimes you'll hear radio stuff in 6 (which is really just 2 groups of 3, or 3 groups of 2, depending). 5 and 7 are a lot trickier, since you're mashing a 2 and a 3, or a 4 and a 3, or 2 twos and a 3 together at once. Makes it harder to find the downbeat. Actually, what I really like to do is carry it over 2 measures, then the "down" beat becomes the "up" beat for the second measure, before it turns back around again.

shape me

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